2024/25
* Puccini - Madama Butterfly
SUZUKI
Den Jyske Opera
House-Debut
* from Dec. 2024
Member of the Ensemble
at
Oper Wuppertal,
a.o.
Humperdinck - Hänsel & Gretel
MUTTER GERTRUD
Gounod - Faust
MARTHE SCHWERTLEIN
Dramatic Mezzosoprano Vera Egorova, hailed by the press for her "beautiful, warm, round voice, which is pacable to sing lyric phrases as excellent as cope with the huge version outburst", for her "excellent Italian technique", her "overwhelming and captivating stage presence" and her "intense interpretations" was a member of the ensemble at Theater Regensburg until 2018/19, where she performed the Verdi-parts of AMNERIS in “Aida”, ULRICA in “Un Ballo in Maschera”, FENENA in “Nabucco" and MADDALENA in “Rigoletto”; in the title-part of Bizet’s CARMEN, as BABA THE TURK in Stravinsky’s “Rake’s Progress”: 3. DAME in Mozart’s “Die Zauberflöte”, ALISA in Donizetti's "Lucia di Lammermoor", HERODIAS in R. Strauss’ “Salome”; with the ALTO-Part in Bach’s staged “h-moll-messe”, as PEPA in Enrique Granados’ “Goyeskas”, TIGRANA in Puccini’s “Edgar”, ZITA in“Gianni Schicchi” and SUZUKI in “Madama Butterfly"; as LUCIA TETRALUCI in Eggert’s “Freax”, GERTRUD in Marschner’s “Hans Heiling” and BARBARA in Janacek’s “Katja Kabanova”, sowie in as well as the Wagner-roles of MARY in “Der Fliegende Holländer”, FARZANA in “Die Feen“ and BRANGÄNE in Wagner’s “Tristan & Isolde”, für receiving an award from the Richard-Wagner-Verband for her "outstanding interpretation".
In addition, she created parts in WORLD-PREMIERS: KUBANICHA and MARINA in Anton Lubchenko’s “Doktor Schiwago”, the female main-role of ANNA in Samy Moussa’s “Wüstling – Nach der Wahl ist vor der Wahl”, TRAVEL-AGENT in Gabriel Prokoffiev's "Elisabetta" and HANNAH ARENDT ALT in Ella Milch-Sheriff’s “Die Banalität der Liebe“.
In the 2024/25 season, Mrs Egorova will make her house-debut as Den Jyske Opera (Denmark), performing SUZUKI in Puccini's "Madama Butterfly" in stage director of Dr. Ulrich Peters and under the baton of Christopher Lichtenstein.
And from Dec 2024 on, she will join the Ensemble of Oper Wuppertal, embodying, among others, MUTTER GERTRUD in Humperdinck's "Hänsel & Gretel" and MARTHE SCHWERTLEIN in Gounod's "Faust".
Guest-contracts of the recent past led Mrs. Egorova with her debut as FILIPJEWNA in Caikovsky’s „Eugen Onegin“ to the Theater Klagenfurt and the Staatsoper Hannover; her role-debuts as FATA MORGANA in Prokofiev's "L'Amour des 3 Oranges" and OLD LADY in Bernstein's "Candide" brought her to the Theatre Kiel, BRANGÄNE in Wagner's "Tristan & Isolde" to the Staatstheater Cottbus; and as FRICKA in Wagner's "Das Rheingold" and OLD KEEPER in Lubchenko's WOLRD PREMIERE "We", she returned to Theater Regensburg.
Due to Covid, her commitment as 3. DAME in Mozart's "Die Zauberflöte" unfortunately had to be cancelled.
Future commitments include, among others, her house-debut at Den Jyske Opera Århus as SUZUKI in Puccini's "Madama Butterfly" and the return to Staatstheater Hannover als FILIPJEWNA.
And from the 24/25 season, Mrs. Egorova will be artists in residence at Oper Wuppertal, performing among others MUTTER in Humperdinck's "Hänsel & Gretel".
Moscow born mezzosoprano Egorova, studied at the Moscow State Caikovsky Conservatory and the Russian Academy of Theatrical Arts, and completed her education at the Academy of Maggio Musicale Fiorentino.
She gave her Opera-debüt at the Mariinsky Theater St. Petersburg with CARMEN, a part, she also have performed at the Helikon Opera; as well as ANNIO in Mozart’s “La Clemenza di Tito”, ROSINA in Rossini’s “Il Barbiere di Siviglia“, FLORA in Verdi’s “La Traviata”, OLGA in Caikovsky’s “Eugen Onegin“ and LYUBOV KOCHUBEY in “Mazeppa”, FRUGOLA in Puccini’s “Il Tabarro“, KRISTA in Janacek’s “Vec Markropulos”, LYUBASHA / DYUNASHA in Rimsky-Korsakov’s “Tsarskaya nevesa” and NEIGHBOUR in Igor Stravinsky’s “Mavra", which she also sang at the Opera Perm.
At the Theater Zazerkalie St. Petersburg she appeared as DORABELLA in Mozart’s “Cosi fan tutte”, NICKLAUSSE in Offenbach’s “Les Contes d’Hoffman”, FJODOR in Mussorgsky’s “Boris Godunow”, as POLINA and ALTE THE OLD COUNTESS GRÄFIN in Caikovsky’s “Pikowaja Dama”; CHIVRYA in Mussogsky’s “Sorotshindskaya Jarmarka” and NADEJDA in Rimsky-Kosakov’s “Boyarinya Vea Sheloga” let her to the Gitis Theater Moscow; and MADDALENA in Verdi’s „Rigoletto“ to the Theatro da Paz Opera Festival in Belèm, Brazil.
In addition, she sang numerous Song-Recitals, Opera-Galas, among others Borodin’s “Bogatyri” and Caikovsky’s “Iolanta”, and Oratoria-Concerts with works such as Pergolesi’s “Stabat Mater”, Beethoven’s “C-Dur-Messe”, Mendelssohn’s “Eliah”, Haydn’s “Nelson-Messe” orMozart’s “Große Messe in c-moll” in Finnland, Norway, Russia and Sveden.
In 2009, the young singer gave an highly acclaimed and celebrated debut as ANGELINA in Rossini’s “La Cenerentola” at the Mariinsky Theater, and repeated this overwhelming success also at theBolshoi Theatre Moscow, the Novaya Opera Moscow, the Zazerkalie Theater St. Petersburg and later also in Regensburg.
Teherupon, the Marrinsky Theater immediately offered her a 2nd Rossini-Part: ISABELLA in “L’Italiana in Algeri”.
For her interpretation of this part, Mrs. Egorova received the “Golden Soffitte”, the most important Russian theater award.
The mezzosoprano had the pleasure to work with renowned conductors and stage directors such as Tetsuro Ban, Pavel Bubelnikov, Michael Güttler, Israel Gursky, Teodor Kurentzis, Enriche Mazzola, Alexander Polyanichko, Vladimir Ponkin, Gennady Rozhdestvensky or Tugan Sokhiev, and with Andreas Baelser, Jochen Biganzoli, Brigitte Fassbaender, Hendrik Müller or Itay Tiranz.
Vera Egorova was a winner and prizewinner at numerous international competitions. Among others, she won the 1st Prize at the Elena Obraszova Competition and the Bella Voce Competition; and also was a Scholarship-holder of the International Competition Program “La Romance Russe” (UNESCO, Paris).
Since several year, now Mrs Egorova teaches masterclasses herself, in Russia and Italy.
(Please contact us for more information and booking)
Season 2023/24
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